By I. Hedges
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Bicycles have extra cultural identities than many discover, functioning not just as literal automobiles in a textual content but in addition as “vehicles” for that text’s topics, rules, and opinions. within the past due 19th century the bicycle was once visible as a manner for the rich city elite to reconnect with nature and for ladies to achieve a degree of private freedom, whereas in the course of global battle II it turned a utilitarian software of the French Resistance and in Seventies China stood for wealth and modernization.
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World Cinema and Cultural Memory (Palgrave Macmillan Memory Studies) by I. Hedges