By Jill Phillips Ingram
Idioms of Self-Interest uncovers an rising social integration of monetary self-interest in early sleek England through analyzing literary representations of credits relationships within which everyone is either held to criteria of communal belief and rewarded for risk-taking enterprise.
Drawing on women’s wills, retailers’ tracts, estate legislation, mock testaments, mercantilist pamphlets and theatrical account books, and using the most recent paintings in monetary concept and heritage, the publication examines the historical past of monetary idea because the historical past of discourse. In chapters that target The service provider of Venice, Eastward Ho!, and Whitney’s Wyll and Testament, it unearths linguistic and prevalent tension put on an ethics of credits that permits for self-interest. Authors additionally check in this rigidity because the failure of monetary platforms that deny self-interest, as within the overwrought paternalistic structures depicted in Shakespeare’s Timon of Athens and Francis Bacon’s New Atlantis.
The booklet demonstrates that Renaissance interpretive formations touching on fiscal behaviour have been extra versatile and leading edge than looks firstly look, and it argues that the idea of self-interest is a coherent locus of interpretation within the early 17th century.
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Additional info for Idioms of Self Interest: Credit, Identity, and Property in English Renaissance Literature (Literary Criticism and Cultural Theory)
Idioms of Self Interest: Credit, Identity, and Property in English Renaissance Literature (Literary Criticism and Cultural Theory) by Jill Phillips Ingram