By Juan F. Egea,Juan Egea
Egea starts off his research with normal Franco's dictatorship within the 1960s—a regime that opened the rustic to new financial forces whereas keeping its repressive nature—exploring key works by means of Luis García Berlanga, Marco Ferreri, Fernando Fernán-Gómez, and Luis Buñuel. darkish Laughter then strikes to the 1st movies of Pedro Almodóvar within the early Eighties throughout the Spanish political transition to democracy sooner than interpreting Alex de l. a. Iglesia and the hot darkish comedies of the Nineties. studying this more youthful new release of filmmakers, Egea strains darkish comedy to Spain's screens of ultramodernity similar to the common Exposition in Seville and the Barcelona Olympic Games.
At its middle, darkish Laughter is a considerable inquiry into the epistemology of comedy, the intricacies of visible modernity, and the connection among cinema and a much broader framework of representational practices.
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Additional resources for Dark Laughter: Spanish Film, Comedy, and the Nation (Wisconsin Film Studies)
Dark Laughter: Spanish Film, Comedy, and the Nation (Wisconsin Film Studies) by Juan F. Egea,Juan Egea