By Mia Mask
Contemporary Black American Cinema offers a clean choice of essays on African American movie, media, and visible tradition within the period of world multiculturalism. Integrating concept, heritage, and feedback, the contributing authors deftly attach interdisciplinary views from American reviews, cinema experiences, cultural experiences, political technology, media reviews, and Queer idea. This multidisciplinary method expands the discursive and interpretive registers of movie research. From Paul Robeson’s and Sidney Poitier’s megastar autos to Lee Daniels’s directorial forays, those essays deal with the occupation legacies of movie stars, study a number of iterations of Blaxploitation and animation, query the comedic politics of "fat go well with" motion pictures, and have a good time the innovation of avant-garde and experimental cinema.
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Contemporary Black American Cinema: Race, Gender and Sexuality at the Movies by Mia Mask